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Geert Lovink
Results: 43

#	Item
21	The inner life of video spheres Theory for the YouTube Generation Add to Reading List Source URL: networkcultures.org Language: English - Date: 2014-06-06 10:27:45 Technology New media Video clip Internet Vortex Terminology Geert Lovink Digital media Tactical media
22	¶ BIOGRAPHIES, NAMES, ADDRESSES AND ACKNOWLEDGEMENTS BIOGRAPHIES PHIL AGRE is an associate professor of information studies at UCLA. His books Add to Reading List Source URL: www.medialounge.net Language: English - Date: 2004-01-29 13:56:53 Visual arts Culture Academia Geert Lovink Internet art Lev Manovich Nettime Cyberculture Andrew Ross Internet culture Contemporary art Year of birth missing
23	Video Vortex Reader II Moving Images Beyond Add to Reading List Source URL: www.networkcultures.org Language: English - Date: 2013-09-25 04:28:47 Contemporary art Geert Lovink New media YouTube Marshall McLuhan Friedrich Kittler Technological determinism Video art Film Visual arts Digital media Science
24	The Society of the Query and the Googlisation of Our Lives A Tribute to Joseph Weizenbaum Geert Lovink KIT – University of the State of Baden-Wuerttemberg Add to Reading List Source URL: www.zak.kit.edu Language: English - Date: 2012-03-22 07:05:29 Internet Information science Googlization Geert Lovink Library science Joseph Weizenbaum ELIZA Siva Vaidhyanathan Internet privacy Computing Internet search engines Google
25	____________________________________________________________________________ March 2 For immediate release Emerging South Australian artists participate in workshop with media theorist Geert Lovink Add to Reading List Source URL: www.helpmannacademy.com.au Language: English - Date: 2013-12-06 00:08:24 Performing arts in Australia Helpmann Academy Nettime Robert Helpmann Elder Conservatorium Oceania University of Adelaide Education in Australia Geert Lovink
26	____________________________________________________________________________ October 22 Embargoed until 5:00pm Adelaide Festival 2010 Artists’ Week / Helpmann Academy workshop program The Adelaide Festival Corporation Add to Reading List Source URL: www.helpmannacademy.com.au Language: English - Date: 2013-12-06 00:07:16 Geert Lovink Robert Helpmann Performing arts in Australia Helpmann Academy Visual arts Gwangju Biennale Modern artists Education in Australia Jorge Orta
27	CRUMB DOCTORAL RESEARCH: REFLECTIONS ON CREATING AND EXHIBITING DIGITAL ART Victoria Bradbury, Marialaura Ghidini, Roddy Hunter, Suzy O’Hara, Dominic Add to Reading List Source URL: ses.library.usyd.edu.au Language: English - Date: 2014-01-14 20:00:05 Curator Geert Lovink Sarah Cook Culture Robert Filliou Public art CRUMB – Curatorial Resource for Upstart Media Bliss Visual arts Arts New media art
28	Our Social 8 Save Innovation ‘Social innovation’ is a great buzzword in the global consultancy class. In spite of its rhetoric, it means imposing Add to Reading List Source URL: networkcultures.org Language: English - Date: 2014-11-19 07:39:23 Science Sociology Economies Creative industries Finance Political economy Creative class Geert Lovink Capitalism Cultural economics Creativity Economics
29	4 MyCreativity Reader MyCreativity Reader: A Critique of Creative Industries Editors: Geert Lovink and Ned Rossiter Add to Reading List Source URL: www.networkcultures.org Language: English - Date: 2013-09-25 04:28:52 Science Creative industries Finance Cultural studies Economics Educational psychology Creative class Geert Lovink Creative city Cultural economics Urban economics Creativity
30	Contributors[removed]CONTRIBUTORS (in alphabetical order) Adrian Ward (Plymouth) is a software artist and musician. He creates auto-generative software artworks and performs music with Alex McLean under the name of Slub. Add to Reading List Source URL: archive.sarai.net Language: English - Date: 2014-03-16 01:17:01 Nancy Adajania Lawrence Liang Geert Lovink Ranjit Hoskote The Sarai Programme at CSDS Cybermohalla Delhi Centre for the Study of Developing Societies MIT Media Lab India New Delhi Raqs Media Collective

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